- Joined
- Jul 26, 2011
- Messages
- 4,142
This is a brass and rosewood shoulder plane I made. It is about 1 1/4" wide,and about 9"long. My knee is killing me,so I don't feel like going to the shop and getting it down to measure it right now.
I call it the "Nessie" model. It is quite comfortable to hold,with the curves.
I fabricated it from sheet brass. Mostly hand work except for sawing it out. It is held together with special screws I turned out. They were screwed into counterbored recesses,and filed off flush. The ramp the blade sets on is from a block of brass.
The throat is adjustable. You loosen the screw that is set into the top of the plane,and the front sole can be moved back and forth,or the front sole can be removed for taking the 01 blade out.
One of the best parts of the toolmaking,or musical instrument making I do is designing the pieces. However,being the toolmaker in a museum(Colonial Williamsburg) I was copying 18th.C. pieces most of the time. This one is not a copy,but has the flavor of 19th.C. work.
Notice how the beveled edge gets larger where the curves are highest,and is smaller where the curves dip.
The iron has a "sneck" or notch on one side for drawing the blade back with taps from a little brass hammer. The blade is hammer adjusted.
I call it the "Nessie" model. It is quite comfortable to hold,with the curves.
I fabricated it from sheet brass. Mostly hand work except for sawing it out. It is held together with special screws I turned out. They were screwed into counterbored recesses,and filed off flush. The ramp the blade sets on is from a block of brass.
The throat is adjustable. You loosen the screw that is set into the top of the plane,and the front sole can be moved back and forth,or the front sole can be removed for taking the 01 blade out.
One of the best parts of the toolmaking,or musical instrument making I do is designing the pieces. However,being the toolmaker in a museum(Colonial Williamsburg) I was copying 18th.C. pieces most of the time. This one is not a copy,but has the flavor of 19th.C. work.
Notice how the beveled edge gets larger where the curves are highest,and is smaller where the curves dip.
The iron has a "sneck" or notch on one side for drawing the blade back with taps from a little brass hammer. The blade is hammer adjusted.
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