- Joined
- Jul 31, 2020
- Messages
- 765
7milesup,
If she is of an artistic leaning, hand engraving would probably suit her better. With the modern pneumatic engraving machines, the need to chase a graver with a hammer has all but been eliminated, and produces superior results for most. I took my cheap Chinese knock-off engraving machine to a class, and it was met with a VERY jaundiced eye by the instructor.... until he used it. He found it was actually superior to the badly overpriced American made machine (it was a copy of). To his amazement, the Chinese version had added refinements which allowed for better control of the "hammer strikes". In a humorous sense of "reverse justice", the American machine has now incorporated many features of the Chinese clone into their American product (and, of course, raised their price even more). I normally buy American, but at the time of purchase the Chinese Pneumatic engraver was around $500, and the American one was over $2000. I do also have the hand gravers and hammers too, but mostly out of nostalgia.
Once again, these are only two examples of vanishing skill sets. There are many more examples. I also restore antique fountain pens, which was part of the motivation to setting up some machine shop tools. I cannot go to Walmart and buy a replacement part for a 100 year old Fountain pen. But, considering these old pens were largely made on classical machine shop equipment, most parts can be replicated in the garage. You can buy an Antique pen, which is in poor condition for 15 to 50 bucks, restore it, and have it immediately jump up to 200-500 dollars (depending on the pen, some pens just aren't worth much even when restored).
Below is an example of a 100 year old Conklin Vines pen, which had the wrong nib when purchased, and a failed ink sac. It was purchased for about $37 bucks, and then restored. It is an example of a "flex nib pen" which leaves a wider line when more pressure is applied when writing, but leaves a fine line when little pressure is used. Artists love flex nib pens, and pay a premium for them. Vintage pens are universally accepted as being the best for this kind of work.
If she is of an artistic leaning, hand engraving would probably suit her better. With the modern pneumatic engraving machines, the need to chase a graver with a hammer has all but been eliminated, and produces superior results for most. I took my cheap Chinese knock-off engraving machine to a class, and it was met with a VERY jaundiced eye by the instructor.... until he used it. He found it was actually superior to the badly overpriced American made machine (it was a copy of). To his amazement, the Chinese version had added refinements which allowed for better control of the "hammer strikes". In a humorous sense of "reverse justice", the American machine has now incorporated many features of the Chinese clone into their American product (and, of course, raised their price even more). I normally buy American, but at the time of purchase the Chinese Pneumatic engraver was around $500, and the American one was over $2000. I do also have the hand gravers and hammers too, but mostly out of nostalgia.
Once again, these are only two examples of vanishing skill sets. There are many more examples. I also restore antique fountain pens, which was part of the motivation to setting up some machine shop tools. I cannot go to Walmart and buy a replacement part for a 100 year old Fountain pen. But, considering these old pens were largely made on classical machine shop equipment, most parts can be replicated in the garage. You can buy an Antique pen, which is in poor condition for 15 to 50 bucks, restore it, and have it immediately jump up to 200-500 dollars (depending on the pen, some pens just aren't worth much even when restored).
Below is an example of a 100 year old Conklin Vines pen, which had the wrong nib when purchased, and a failed ink sac. It was purchased for about $37 bucks, and then restored. It is an example of a "flex nib pen" which leaves a wider line when more pressure is applied when writing, but leaves a fine line when little pressure is used. Artists love flex nib pens, and pay a premium for them. Vintage pens are universally accepted as being the best for this kind of work.